1"

Detail image of Edges by Alexander Girard, 1961 Turquoise On Gray Blue Dark

Maharam

Edges by Alexander Girard, 1961

466476–005 Turquoise On Gray Blue Dark

66% Cotton, 30% Solution-Dyed Nylon, 4% Polyester
100,000 double rubs Wyzenbeek

Thumbnail image of 007 Crimson On Black
Thumbnail image of 003 Emerald On Gray
Thumbnail image of 001 Magenta On Ecru
Thumbnail image of 008 Silver On Magenta
Thumbnail image of 005 Turquoise On Gray Blue Dark
Thumbnail image of 004 Ultramarine On Gray Blue
Thumbnail image of 006 Yellow Green On Sepia
Thumbnail image of 002 Yellow On White

Edges by Alexander Girard, 1961

466476

Application
Seating
Note: This textile is available as a made-to-order pillow.

Price

Product Introduction
October 2018

Content: 66% Cotton, 30% Solution-Dyed Nylon, 4% Polyester

Finish: Stain Repellent

Additional Finishes Available: Alta, Alta Food & Beverage with Impermeable Backing, Nanotex PFAS-Free Water Repellent Finish

Backing: Acrylic

Width: 53" (135cm)

Repeat: 8" V, 7" H
(20cm V, 18cm H)

Bolt Size: 60 yards (55m)

Weight: 14.4 oz/ly (400 gr/lm)

Country of Origin: USA

© 2018 Girard Studio, LLC, Maharam under license

S-Clean with mild, water-free dry cleaning solvent.

Abrasion: ASTM D4157, 100,000 double rubs Wyzenbeek
Note: Abrasion test results exceeding ACT Performance Guidelines are not an indicator of product lifespan. Multiple factors affect fabric durability and appearance retention.
Flammability: BS 5852 Crib 5*
CAL 117-2013
EN 1021-1*
EN 1021-2*
*passes with additional treatment
Lightfastness: AATCC 16.3, 40+ hours

Certifications and Compliance:
Greenguard Gold Certified
REACH Compliant
BABA Compliant

Content:
Contains Bio-Based Content

Chemicals:
FR Free

3 years. See Terms and Conditions for more information.

Trained as an architect but proficient in nearly all design disciplines, Alexander Girard (1907-1993, United States) had a profound impact on 20th-century visual culture. As founding director of Herman Miller's textile division from its formation in 1952 until 1973, Girard generated more than 300 patterns from his outpost in Santa Fe, New Mexico. Reflecting his love of international folk art and unhampered by contemporary dictums of style and taste, Girard explored wildly different approaches to color, form, pattern, and construction. The resulting body of work is staggering not only in sheer volume and creativity, but due to its fundamental qualities of beauty and usefulness, remains completely relevant today.

Website

Works by Alexander Girard

Part of the MillerKnoll collective